{"id":49879,"date":"2025-10-15T20:00:56","date_gmt":"2025-10-15T12:00:56","guid":{"rendered":"https:\/\/www.ccdc.com.hk\/?post_type=mec-events&#038;p=49879"},"modified":"2026-04-13T18:41:36","modified_gmt":"2026-04-13T10:41:36","slug":"a-triple-bill","status":"publish","type":"mec-events","link":"https:\/\/www.ccdc.com.hk\/en\/ccdc_events\/a-triple-bill\/","title":{"rendered":"A Triple Bill"},"content":{"rendered":"<p>[vc_row enable_arrows_animation=&#8221;no&#8221;][vc_column][vc_tta_tabs active_section=&#8221;1&#8243;][vc_tta_section title=&#8221;Programme&#8221; tab_id=&#8221;programme&#8221;][vc_column_text]A brand-new series &#8216;The Connected Stage&#8217; launches with <em>A Triple Bill<\/em>, bringing together three choreographers whose practices traverse cultures and geographies. Through three distinctive works, the programme offers a vibrant glimpse into the diverse expressions of contemporary dance.<\/p>\n<p>William Forsythe\u2019s iconic work <em>N.N.N.N.<\/em>\u00a0unfolds like a string quartet for the body\u2014performed by four emerging male dancers from CCDC, it lets us hear movement and see music. In <em>The Fountain of Blood<\/em>, Hung Tsai-hsi draws inspiration from poetry and her choreographic reflections in painting, exploring new visualities in contemporary dance-making. <em>LUNA<\/em>, co-created by Sita Ostheimer and seven CCDC female dancers, awakens the instinctual and intuitive body, weaving emotion and connection through finely tuned, powerful ensemble work.[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;Creative Team&#8221; tab_id=&#8221;creative-team&#8221;][vc_column_text]<em>N.N.N.N.<\/em><br \/>\nChoreography, Stage, Light and Costume Design<br \/>\nWilliam FORSYTHE<\/p>\n<p>Stagers<br \/>\nCyril BALDY<br \/>\nGeorg REISCHL<\/p>\n<p>Stage and Lighting Supervision<br \/>\nTanja RUHL<\/p>\n<p>Lighting Execution<br \/>\nLawmanray<\/p>\n<p>Sound Design<br \/>\nLEUNG Po-wing<sup>#<\/sup><\/p>\n<p>Rehearsal Mistress<br \/>\nPeggy LAM<\/p>\n<p><em>LUNA<\/em><br \/>\nChoreography<br \/>\nSita OSTHEIMER<\/p>\n<p>Music<br \/>\nYehezkel RAZ<\/p>\n<p>Lighting Design<br \/>\nLawmanray<\/p>\n<p>Costume Design<br \/>\nCheryl CHING<\/p>\n<p>Sound Design<br \/>\nLEUNG Po-wing<sup>#<\/sup><\/p>\n<p>Rehearsal Mistress<br \/>\nShirley LOK<\/p>\n<p><em>The Fountain of Blood<\/em><br \/>\nChoreography<br \/>\nHUNG Tsai-hsi<\/p>\n<p>Music<br \/>\nLIU Tzu-chi<\/p>\n<p>Lighting Design<br \/>\nLawmanray<\/p>\n<p>Costume Design<br \/>\nCheryl CHING<\/p>\n<p>Sound Design<br \/>\nLEUNG Po-wing<sup>#<\/sup><\/p>\n<p>Rehearsal Mistress<br \/>\nShirley LOK<\/p>\n<p>Performance<br \/>\nAN Tzu-huan*<br \/>\nCHEN Dai-wen^<br \/>\nCHEN Jia-wen^<br \/>\nJon Henri FERRER*<br \/>\nGAO Sheng-ting*<br \/>\nHUANG Teng-seng*<br \/>\nJIANG Xu-ling*<br \/>\nEric KWONG*<br \/>\nSuyi HON^<br \/>\nStephanie LI^<br \/>\nSHUM Pui-yung^<br \/>\nAlliah Xandra TORTE^<br \/>\nYANG Yu*<br \/>\nSkye YAO^<\/p>\n<p>Apprentice<br \/>\nDAI Jun-ming (HKAPA Student)<br \/>\nZHENG Jian-peng (HKAPA Student)<\/p>\n<p>&nbsp;<\/p>\n<p>*Performance in <em>N.N.N.N.<\/em> and <em>The Fountain of Blood<\/em><br \/>\n<em>N.N.N.N.<\/em> will be performed by 4 varied ensembles<br \/>\n^Performance in <em>LUNA<\/em> and <em>The Fountain of Blood<\/em><br \/>\n#With support and kind permission of the Hong Kong Academy for Performing Arts.[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;Key Visual Design&#8221; tab_id=&#8221;kv-design&#8221;][vc_column_text]Graphic Design: Pengguin<br \/>\nWilliam Forsythe\u2019s Portrait: Julian Gabriel RICHTER<\/p>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;Acknowledgement&#8221; tab_id=&#8221;1776065640376-1bd919cf-f268&#8243;][vc_column_text]Hotel Partner<\/p>\n<p><img loading=\"lazy\" class=\"alignnone wp-image-49920\" src=\"https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/10\/Regent-HK_Black_EN-01-1-300x180.jpg\" alt=\"\" width=\"152\" height=\"91\" srcset=\"https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/10\/Regent-HK_Black_EN-01-1-300x180.jpg 300w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/10\/Regent-HK_Black_EN-01-1-1024x615.jpg 1024w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/10\/Regent-HK_Black_EN-01-1-768x461.jpg 768w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/10\/Regent-HK_Black_EN-01-1-600x360.jpg 600w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/10\/Regent-HK_Black_EN-01-1.jpg 1181w\" sizes=\"(max-width: 152px) 100vw, 152px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Media Partner<\/p>\n<p><img loading=\"lazy\" class=\"alignnone wp-image-50198\" src=\"https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/20221207_172017_J0qtZUr5aJ_f-300x170.png\" alt=\"\" width=\"124\" height=\"70\" srcset=\"https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/20221207_172017_J0qtZUr5aJ_f-300x170.png 300w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/20221207_172017_J0qtZUr5aJ_f-600x340.png 600w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/20221207_172017_J0qtZUr5aJ_f.png 640w\" sizes=\"(max-width: 124px) 100vw, 124px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Supporting Organization<\/p>\n<p><img loading=\"lazy\" class=\"alignnone wp-image-50566\" src=\"https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/10\/GI_Logo_horizontal_green_sRGB-300x140.png\" alt=\"\" width=\"107\" height=\"50\" srcset=\"https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/10\/GI_Logo_horizontal_green_sRGB-300x140.png 300w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/10\/GI_Logo_horizontal_green_sRGB-1024x479.png 1024w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/10\/GI_Logo_horizontal_green_sRGB-768x359.png 768w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/10\/GI_Logo_horizontal_green_sRGB-1536x719.png 1536w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/10\/GI_Logo_horizontal_green_sRGB-600x281.png 600w\" sizes=\"(max-width: 107px) 100vw, 107px\" \/>[\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][\/vc_row][vc_row enable_arrows_animation=&#8221;no&#8221;][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row enable_arrows_animation=&#8221;no&#8221;][vc_column][vc_column_text]<\/p>\n<h5><em>N.N.N.N.<\/em> Stage Photo<\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row enable_arrows_animation=&#8221;no&#8221;][vc_column][vc_gallery type=&#8221;flexslider_slide&#8221; interval=&#8221;3&#8243; images=&#8221;50668,50671,50674,50665&#8243; img_size=&#8221;large&#8221; onclick=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row enable_arrows_animation=&#8221;no&#8221;][vc_column][vc_column_text]Photos by Ray CHEUNG, MAK Cheong Wai, Carmen SO[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row enable_arrows_animation=&#8221;no&#8221;][vc_column][vc_column_text]<\/p>\n<h5><em>LUNA<\/em> Stage Photo<\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row enable_arrows_animation=&#8221;no&#8221;][vc_column][vc_gallery type=&#8221;flexslider_slide&#8221; interval=&#8221;3&#8243; images=&#8221;50680,50683,50686,50677&#8243; img_size=&#8221;large&#8221; onclick=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row enable_arrows_animation=&#8221;no&#8221;][vc_column][vc_column_text]Photos by Ray CHEUNG, Carmen SO[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row enable_arrows_animation=&#8221;no&#8221;][vc_column][vc_column_text]<\/p>\n<h5><i>The Fountain of Blood <\/i>Stage Photo<\/h5>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;10px&#8221;][vc_gallery type=&#8221;flexslider_slide&#8221; interval=&#8221;3&#8243; images=&#8221;50689,50692,50695,50698&#8243; img_size=&#8221;large&#8221; onclick=&#8221;&#8221;][vc_column_text]Photos by Ray CHEUNG, Carmen SO[\/vc_column_text][\/vc_column][\/vc_row][vc_row enable_arrows_animation=&#8221;no&#8221;][vc_column][vc_column_text]<\/p>\n<h5><i>Stage Highlight Video<\/i><\/h5>\n<p>[\/vc_column_text][vc_video link=&#8221;https:\/\/youtu.be\/hFmRxEdC1Is&#8221;][vc_column_text]Video by La Vene Studio[\/vc_column_text][vc_column_text]<\/p>\n<h5><i>Audience Feedbacks \uff08Translated from Chinese originals\uff09<\/i><\/h5>\n<p>[\/vc_column_text][vc_tta_tabs active_section=&#8221;1&#8243;][vc_tta_section title=&#8221;Ida Leung(abouttime.hk)&#8221; tab_id=&#8221;1776066180835-9431c2e3-5961&#8243;][vc_column_text]<em><strong>N.N.N.N.<\/strong><\/em><\/p>\n<p>&#8216;A humorous vignette performed by four men, blending elements of mime and martial arts. <em>N.N.N.<\/em> evokes the image of four dancers standing shoulder to shoulder, touching their heads. <em>N.N.N.N.<\/em> represents the presence of all four dancers together.&#8217;<\/p>\n<div><\/div>\n<p><em><strong>LUNA<\/strong><\/em><\/p>\n<p>&#8216;A declaration of individuality by seven women, beginning with two dancers embracing each other. The costumes, in both color and texture, carry an Asian sensibility. Yet their resilience and bonds, their tenderness and ferocity, are meant to be universal.&#8217;<\/p>\n<div><\/div>\n<p><em><strong>The Fountain of Blood<\/strong><\/em><\/p>\n<p>&#8216;Emotion and energy surge toward the audience, inviting you to feel their anger and struggle. The overall performance is striking, signaling CCDC\u2019s successful step into a new generation.'[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;Yumi Leung&#8221; tab_id=&#8221;1776066180867-3b5ebdd1-f2e3&#8243;][vc_column_text]<em><strong>The Fountain of Blood<\/strong><\/em><\/p>\n<p>&#8216;The dancers\u2019 hand movements left a deep impression, resembling the forms of beasts. Accompanied by music dominated by human voices, the gradually intensifying sound effects built up a scene of ritual sacrifice.&#8217;<\/p>\n<div><\/div>\n<p><strong>\u00a0<\/strong><em><strong>N.N.N.N.<\/strong><\/em><\/p>\n<p>&#8216;The choreographer chose to remove music, allowing the audience to clearly hear the dancers\u2019 breathing. This gave their movements an added layer of humor. At the end, the dancers suddenly ran off together, and this abrupt rhythm provided a perfectly timed punchline to the humor.&#8217;<\/p>\n<div><\/div>\n<p><em><strong>LUNA<\/strong><\/em><\/p>\n<p>&#8216;Through repeated musical motifs and movements, dancers gaze at the audience, and dancers gaze at one another, forming an image of social pressure that reflects different facets of female identity.'[\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][vc_separator][vc_empty_space][vc_empty_space][vc_column_text]<\/p>\n<h5><i>Media Coverage<\/i><\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row enable_arrows_animation=&#8221;no&#8221;][vc_column width=&#8221;1\/2&#8243;]<div class=\"eltdf-banner-holder eltdf-visible-on-hover eltdf-banner-info-default\">\n\t        <a class=\"eltdf-banner-hero-link\" itemprop=\"url\" href=\"https:\/\/www.instagram.com\/p\/DQG35C7k8Ua\/\" target=\"_blank\">\n        <div class=\"eltdf-banner-image\">\n        <img width=\"1740\" height=\"1160\" src=\"https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/Sita_03_s.png\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/Sita_03_s.png 1740w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/Sita_03_s-300x200.png 300w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/Sita_03_s-1024x683.png 1024w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/Sita_03_s-768x512.png 768w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/Sita_03_s-391x260.png 391w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/Sita_03_s-1536x1024.png 1536w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/Sita_03_s-600x400.png 600w\" sizes=\"(max-width: 1740px) 100vw, 1740px\" \/>    <\/div>\n    <div class=\"eltdf-banner-text-holder\" >\n\t    <div class=\"eltdf-banner-text-outer\">\n\t\t    <div class=\"eltdf-banner-text-inner\">\n\t\t        \t\t            <h5 class=\"eltdf-banner-subtitle\" >\n\t\t\t            City Contemporary Dance Company\u2019s New Production A Triple Bill Interview with Sita Ostheimer (Chinese Only)\t\t            <\/h5>\n\t\t        \t\t        \t\t            <h2 class=\"eltdf-banner-title\" >\n\t\t                DL.theVOC\t                <\/h2>\n\t\t        \t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t        <\/a>\n    <\/div>[vc_empty_space]<div class=\"eltdf-banner-holder eltdf-visible-on-hover eltdf-banner-info-default\">\n\t        <a class=\"eltdf-banner-hero-link\" itemprop=\"url\" href=\"https:\/\/www.instagram.com\/p\/DSHTGa-j_EK\/\" target=\"_blank\">\n        <div class=\"eltdf-banner-image\">\n        <img width=\"1064\" height=\"1595\" src=\"https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/Hung_03_s.png\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/Hung_03_s.png 1064w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/Hung_03_s-200x300.png 200w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/Hung_03_s-683x1024.png 683w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/Hung_03_s-768x1151.png 768w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/Hung_03_s-1025x1536.png 1025w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/Hung_03_s-600x899.png 600w\" sizes=\"(max-width: 1064px) 100vw, 1064px\" \/>    <\/div>\n    <div class=\"eltdf-banner-text-holder\" >\n\t    <div class=\"eltdf-banner-text-outer\">\n\t\t    <div class=\"eltdf-banner-text-inner\">\n\t\t        \t\t            <h5 class=\"eltdf-banner-subtitle\" >\n\t\t\t            City Contemporary Dance Company\u2019s New Production A Triple Bill Interview with Hung Tsai-hsi (Chinese Only)\t\t            <\/h5>\n\t\t        \t\t        \t\t            <h2 class=\"eltdf-banner-title\" >\n\t\t                DL.theVOC\t                <\/h2>\n\t\t        \t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t        <\/a>\n    <\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;]<div class=\"eltdf-banner-holder eltdf-visible-on-hover eltdf-banner-info-default\">\n\t        <a class=\"eltdf-banner-hero-link\" itemprop=\"url\" href=\"https:\/\/www.instagram.com\/p\/DQEUzt5E4SY\/\" target=\"_blank\">\n        <div class=\"eltdf-banner-image\">\n        <img width=\"1110\" height=\"821\" src=\"https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/\u672a\u547d\u540d\u8a2d\u8a08-7-1.png\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/\u672a\u547d\u540d\u8a2d\u8a08-7-1.png 1110w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/\u672a\u547d\u540d\u8a2d\u8a08-7-1-300x222.png 300w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/\u672a\u547d\u540d\u8a2d\u8a08-7-1-1024x757.png 1024w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/\u672a\u547d\u540d\u8a2d\u8a08-7-1-768x568.png 768w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/\u672a\u547d\u540d\u8a2d\u8a08-7-1-600x444.png 600w\" sizes=\"(max-width: 1110px) 100vw, 1110px\" \/>    <\/div>\n    <div class=\"eltdf-banner-text-holder\" >\n\t    <div class=\"eltdf-banner-text-outer\">\n\t\t    <div class=\"eltdf-banner-text-inner\">\n\t\t        \t\t            <h5 class=\"eltdf-banner-subtitle\" >\n\t\t\t            City Contemporary Dance Company\u2019s New Production A Triple Bill Interview with Cyril Baldy &amp; Georg Reischl (Chinese Only)\t\t            <\/h5>\n\t\t        \t\t        \t\t            <h2 class=\"eltdf-banner-title\" >\n\t\t                DL.theVOC\t                <\/h2>\n\t\t        \t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t        <\/a>\n    <\/div>[vc_empty_space]<div class=\"eltdf-banner-holder eltdf-visible-on-hover eltdf-banner-info-default\">\n\t        <a class=\"eltdf-banner-hero-link\" itemprop=\"url\" href=\"https:\/\/www.instagram.com\/p\/DSCgfweko2O\/?img_index=4\" target=\"_blank\">\n        <div class=\"eltdf-banner-image\">\n        <img width=\"540\" height=\"960\" src=\"https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/\u672a\u547d\u540d\u8a2d\u8a08-4-1.png\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/\u672a\u547d\u540d\u8a2d\u8a08-4-1.png 540w, https:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2025\/03\/\u672a\u547d\u540d\u8a2d\u8a08-4-1-169x300.png 169w\" sizes=\"(max-width: 540px) 100vw, 540px\" \/>    <\/div>\n    <div class=\"eltdf-banner-text-holder\" >\n\t    <div class=\"eltdf-banner-text-outer\">\n\t\t    <div class=\"eltdf-banner-text-inner\">\n\t\t        \t\t            <h5 class=\"eltdf-banner-subtitle\" >\n\t\t\t            City Contemporary Dance Company (CCDC) presents its new production, \u201cA Triple Bill\u201d, at The Box, Freespace, from December 12 to 14. \t\t            <\/h5>\n\t\t        \t\t        \t\t            <h2 class=\"eltdf-banner-title\" >\n\t\t                Culture Plus Asia\t                <\/h2>\n\t\t        \t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t        <\/a>\n    <\/div>[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row enable_arrows_animation=&#8221;no&#8221;][vc_column][vc_tta_tabs active_section=&#8221;1&#8243;][vc_tta_section title=&#8221;Programme&#8221; tab_id=&#8221;programme&#8221;][vc_column_text]A brand-new series &#8216;The Connected Stage&#8217; launches with A Triple Bill, bringing together three choreographers whose practices traverse cultures and geographies. Through three distinctive works, the programme offers a vibrant glimpse into the diverse expressions of contemporary dance. William Forsythe\u2019s iconic work N.N.N.N.\u00a0unfolds like a string quartet for the body\u2014performed by four emerging male dancers from CCDC, it lets us hear movement and see music. In The Fountain of Blood, Hung Tsai-hsi draws inspiration from poetry and her choreographic reflections in painting, exploring new visualities in contemporary dance-making. LUNA, co-created by Sita Ostheimer and seven CCDC female dancers, awakens the instinctual and intuitive body, weaving emotion and connection through finely tuned, powerful ensemble work.[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;Creative Team&#8221; tab_id=&#8221;creative-team&#8221;][vc_column_text]N.N.N.N. Choreography, Stage, Light and Costume Design William FORSYTHE Stagers Cyril BALDY Georg REISCHL Stage and Lighting Supervision Tanja RUHL Lighting Execution Lawmanray Sound Design LEUNG Po-wing# Rehearsal Mistress Peggy LAM LUNA Choreography Sita OSTHEIMER Music Yehezkel RAZ Lighting Design Lawmanray Costume Design Cheryl CHING Sound Design LEUNG Po-wing# Rehearsal Mistress Shirley LOK The Fountain of Blood Choreography HUNG Tsai-hsi Music LIU Tzu-chi Lighting Design Lawmanray Costume Design Cheryl CHING Sound Design LEUNG Po-wing# Rehearsal Mistress Shirley LOK Performance AN Tzu-huan* CHEN Dai-wen^ CHEN Jia-wen^ Jon Henri FERRER* GAO Sheng-ting* HUANG Teng-seng* JIANG Xu-ling* Eric KWONG* Suyi HON^ Stephanie LI^ SHUM Pui-yung^ Alliah Xandra TORTE^ YANG Yu* Skye YAO^ Apprentice DAI Jun-ming (HKAPA Student) ZHENG Jian-peng (HKAPA Student) &nbsp; *Performance in N.N.N.N. and The Fountain of Blood N.N.N.N. will be performed by 4 varied ensembles ^Performance in LUNA and The Fountain of Blood #With support and kind permission of the Hong Kong Academy for Performing Arts.[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;Key Visual Design&#8221; tab_id=&#8221;kv-design&#8221;][vc_column_text]Graphic Design: Pengguin William Forsythe\u2019s Portrait: Julian Gabriel RICHTER [\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;Acknowledgement&#8221; tab_id=&#8221;1776065640376-1bd919cf-f268&#8243;][vc_column_text]Hotel Partner &nbsp; Media Partner &nbsp; Supporting Organization [\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][\/vc_row][vc_row enable_arrows_animation=&#8221;no&#8221;][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":49878,"comment_status":"closed","ping_status":"closed","template":"","tags":[],"mec_category":[768],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>A Triple Bill - CCDC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ccdc.com.hk\/en\/ccdc_events\/a-triple-bill\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Triple Bill - CCDC\" \/>\n<meta property=\"og:description\" content=\"[vc_row enable_arrows_animation=&#8221;no&#8221;][vc_column][vc_tta_tabs active_section=&#8221;1&#8243;][vc_tta_section title=&#8221;Programme&#8221; tab_id=&#8221;programme&#8221;][vc_column_text]A brand-new series &#8216;The Connected Stage&#8217; launches with A Triple Bill, bringing together three choreographers whose practices traverse cultures and geographies. 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Choreography, Stage, Light and Costume Design William FORSYTHE Stagers Cyril BALDY Georg REISCHL Stage and Lighting Supervision Tanja RUHL Lighting Execution Lawmanray Sound Design LEUNG Po-wing# Rehearsal Mistress Peggy LAM LUNA Choreography Sita OSTHEIMER Music Yehezkel RAZ Lighting Design Lawmanray Costume Design Cheryl CHING Sound Design LEUNG Po-wing# Rehearsal Mistress Shirley LOK The Fountain of Blood Choreography HUNG Tsai-hsi Music LIU Tzu-chi Lighting Design Lawmanray Costume Design Cheryl CHING Sound Design LEUNG Po-wing# Rehearsal Mistress Shirley LOK Performance AN Tzu-huan* CHEN Dai-wen^ CHEN Jia-wen^ Jon Henri FERRER* GAO Sheng-ting* HUANG Teng-seng* JIANG Xu-ling* Eric KWONG* Suyi HON^ Stephanie LI^ SHUM Pui-yung^ Alliah Xandra TORTE^ YANG Yu* Skye YAO^ Apprentice DAI Jun-ming (HKAPA Student) ZHENG Jian-peng (HKAPA Student) &nbsp; *Performance in N.N.N.N. and The Fountain of Blood N.N.N.N. will be performed by 4 varied ensembles ^Performance in LUNA and The Fountain of Blood #With support and kind permission of the Hong Kong Academy for Performing Arts.[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;Key Visual Design&#8221; 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