{"id":51587,"date":"2026-03-30T12:28:28","date_gmt":"2026-03-30T04:28:28","guid":{"rendered":"https:\/\/www.ccdc.com.hk\/ccdc_events\/two-matters\/"},"modified":"2026-04-20T11:15:25","modified_gmt":"2026-04-20T03:15:25","slug":"two-matters","status":"publish","type":"mec-events","link":"https:\/\/www.ccdc.com.hk\/en\/ccdc_events\/two-matters\/","title":{"rendered":"Two Matters"},"content":{"rendered":"

[vc_row enable_arrows_animation=”no”][vc_column][vc_tta_tabs][vc_tta_section title=”Programme” tab_id=”1774329910989-d3652c08-5578″][vc_column_text]Two distinct matters, shaped by lives across cultures. This double bill turns to the essentials that define us \u2014 the body and the mind \u2014 as Chen Wukang from Taiwan and Bruce Wong, now journeying in the UK, each reveal their subtle tension in overlap and shift. As we hurry from place to place, what remains when we finally stop is often the most difficult to ignore: the body\u2019s stored memories and weight, and the mind\u2019s ceaseless drift between clarity and unrest.[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Creative Team” tab_id=”1774329910996-1dfd06b6-9f29″][vc_column_text]Restory
\n<\/em>Choreography: CHEN Wu-kang
\nDramaturgy: TANG Fu Kuen<\/p>\n

Nowhere to Land<\/em>
\nChoreography: Bruce WONG<\/p>\n

 <\/p>\n

Set and Lighting Design: Lawmanray
\nCostume Design: Cheryl CHING
\nSound Design: LEUNG Po-wing#
\nRehearsal Mistress: Shirley LOK<\/p>\n

#With support and kind permission of the Hong Kong Academy for Performing Arts<\/p>\n

Performance:
\nAN Tzu-huan<\/a>
\nCHEN Dai-wen<\/a>
\nCHEN Jia-wen<\/a>
\nJon Henri FERRER<\/a>
\nGAO Sheng-ting<\/a>
\nSuyi HON<\/a>
\nHUANG Teng-seng<\/a>
\nJIANG Xu-ling<\/a>
\nStephanie LI<\/a>
\nSHUM Pui-yung<\/a>
\nAlliah Xandra TORTE<\/a>
\nYANG Yu<\/a>
\nSkye YAO<\/a>[\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][\/vc_row][vc_row enable_arrows_animation=”no”][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Restory<\/em><\/h5>\n

[\/vc_column_text][vc_column_text]Taking \u201crest\u201d as its pivot, Restory<\/em> re\u2011maps the coordinates between body and history.<\/p>\n

Bypassing sentimental embellishment, it looks directly at the body in its raw state:
\nthe wrestling of limbs, the drift of movement, the layering and shifting of weight.<\/p>\n

Drawing on classic Cantopop songs as its starting point, familiar tones seep into the body and awaken deeply buried collective memories.<\/p>\n

Between each breath, traces of movement and stillness come into view.<\/p>\n

Choreography: CHEN Wu-kang<\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Nowhere to Land<\/em><\/h5>\n

[\/vc_column_text][vc_column_text]A lucid struggle unfolds between order and imbalance.<\/p>\n

There is no point of landing \u2013 only a continual cycle of collapse and re\u2011formation.
\nThoughts, ceaselessly arising and vanishing, drift and heave in mid\u2011air.<\/p>\n

Formless, imageless, colourless \u2013 and yet, always in flux.
\nIn the midst of extreme chaos, how do we find proof that clarity still exists?<\/p>\n

 <\/p>\n

Choreography: Bruce Wong<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row enable_arrows_animation=”no”][vc_column][vc_empty_space][vc_separator][\/vc_column][\/vc_row][vc_row enable_arrows_animation=”no”][vc_column][vc_column_text]<\/p>\n

Rehearsal Photo<\/strong><\/h5>\n

[\/vc_column_text][vc_gallery type=”flexslider_slide” interval=”3″ images=”51983,51986,51980,51966,51954″ img_size=”large”][vc_column_text]Photos by MAK Cheong Wai and Carmen SO[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row enable_arrows_animation=”no”][vc_column][vc_tta_tabs][vc_tta_section title=”Programme” tab_id=”1774329910989-d3652c08-5578″][vc_column_text]Two distinct matters, shaped by lives across cultures. This double bill turns to the essentials that define us \u2014 the body and the mind \u2014 as Chen Wukang from Taiwan and Bruce Wong, now journeying in the UK, each reveal their subtle tension in overlap and shift. As we hurry from place to place, what remains when we finally stop is often the most difficult to ignore: the body\u2019s stored memories and weight, and the mind\u2019s ceaseless drift between clarity and unrest.[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Creative Team” tab_id=”1774329910996-1dfd06b6-9f29″][vc_column_text]Restory Choreography: CHEN Wu-kang Dramaturgy: TANG Fu Kuen Nowhere to Land Choreography: Bruce WONG   Set and Lighting Design: Lawmanray Costume Design: Cheryl CHING Sound Design: LEUNG Po-wing# Rehearsal Mistress: Shirley LOK #With support and kind permission of the Hong Kong Academy for Performing Arts Performance: AN Tzu-huan CHEN Dai-wen CHEN Jia-wen Jon Henri FERRER GAO Sheng-ting Suyi HON HUANG Teng-seng JIANG Xu-ling Stephanie LI SHUM Pui-yung Alliah Xandra TORTE YANG Yu Skye YAO[\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][\/vc_row][vc_row enable_arrows_animation=”no”][vc_column width=”1\/2″][vc_column_text] Restory [\/vc_column_text][vc_column_text]Taking \u201crest\u201d as its pivot, Restory re\u2011maps the coordinates between body and history. Bypassing sentimental embellishment, it looks directly at the body in its raw state: the wrestling of limbs, the drift of movement, the layering and shifting of weight. Drawing on classic Cantopop songs as its starting point, familiar tones seep into the body and awaken deeply buried collective memories. Between each breath, traces of movement and stillness come into view. Choreography: CHEN Wu-kang [\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text] Nowhere to Land [\/vc_column_text][vc_column_text]A lucid struggle unfolds between order and imbalance. There is no point of landing \u2013 only a continual cycle of collapse and re\u2011formation. Thoughts, ceaselessly arising and vanishing, drift and heave in mid\u2011air. Formless, imageless, colourless \u2013 and yet, always in flux. In the midst of extreme chaos, how do we find proof that clarity still […]<\/p>\n","protected":false},"author":3,"featured_media":51972,"comment_status":"closed","ping_status":"closed","template":"","tags":[],"mec_category":[],"yoast_head":"\nTwo Matters - CCDC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ccdc.com.hk\/en\/ccdc_events\/two-matters\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Two Matters - CCDC\" \/>\n<meta property=\"og:description\" content=\"[vc_row enable_arrows_animation=”no”][vc_column][vc_tta_tabs][vc_tta_section title=”Programme” tab_id=”1774329910989-d3652c08-5578″][vc_column_text]Two distinct matters, shaped by lives across cultures. This double bill turns to the essentials that define us \u2014 the body and the mind \u2014 as Chen Wukang from Taiwan and Bruce Wong, now journeying in the UK, each reveal their subtle tension in overlap and shift. As we hurry from place to place, what remains when we finally stop is often the most difficult to ignore: the body\u2019s stored memories and weight, and the mind\u2019s ceaseless drift between clarity and unrest.[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Creative Team” tab_id=”1774329910996-1dfd06b6-9f29″][vc_column_text]Restory Choreography: CHEN Wu-kang Dramaturgy: TANG Fu Kuen Nowhere to Land Choreography: Bruce WONG   Set and Lighting Design: Lawmanray Costume Design: Cheryl CHING Sound Design: LEUNG Po-wing# Rehearsal Mistress: Shirley LOK #With support and kind permission of the Hong Kong Academy for Performing Arts Performance: AN Tzu-huan CHEN Dai-wen CHEN Jia-wen Jon Henri FERRER GAO Sheng-ting Suyi HON HUANG Teng-seng JIANG Xu-ling Stephanie LI SHUM Pui-yung Alliah Xandra TORTE YANG Yu Skye YAO[\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][\/vc_row][vc_row enable_arrows_animation=”no”][vc_column width=”1\/2″][vc_column_text] Restory [\/vc_column_text][vc_column_text]Taking \u201crest\u201d as its pivot, Restory re\u2011maps the coordinates between body and history. Bypassing sentimental embellishment, it looks directly at the body in its raw state: the wrestling of limbs, the drift of movement, the layering and shifting of weight. Drawing on classic Cantopop songs as its starting point, familiar tones seep into the body and awaken deeply buried collective memories. Between each breath, traces of movement and stillness come into view. Choreography: CHEN Wu-kang [\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text] Nowhere to Land [\/vc_column_text][vc_column_text]A lucid struggle unfolds between order and imbalance. There is no point of landing \u2013 only a continual cycle of collapse and re\u2011formation. Thoughts, ceaselessly arising and vanishing, drift and heave in mid\u2011air. Formless, imageless, colourless \u2013 and yet, always in flux. 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