Mar\u00eda de Buenos Aires<\/em><\/p>\nMusic | Astor PIAZZOLLA<\/p>\n
Text & Libretto | Horacio FERRER<\/p>\n
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Set Design | CHEN Wei-Kuang<\/p>\n
Lighting Design | KUO Chien-Hao<\/p>\n
Executive Lighting Design | Lawmanray<\/p>\n
Costume Design | FAN Huai-chih<\/p>\n
Sound Design | Anthony YEUNG<\/p>\n
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Dance Artists<\/u><\/strong><\/p>\nDancer Artists | Felix KE, Eric KWONG, Bobo LAI, Peggy LAM, Shirley LOK, QIAO Yang, Zelia TAN, Bruce WONG, Simpson YAU<\/p>\n
Guest Dance Artists | LAI Tak-Wai, Jacko NG, CHEUNG King-yu<\/p>\n
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Live Music Performance<\/u><\/strong><\/p>\nAccordion | Nazar TABACHYSHYN<\/p>\n
First Violin | Nina WONG<\/p>\n
Second Violin | Winnie LAW<\/p>\n
Viola | Joelion KEUNG<\/p>\n
Cello | Daniel LEONG<\/p>\n
Double Bass | Evette CHIU<\/p>\n
Piano | Linda YIM<\/p>\n
Guitar | Chris COLLINS<\/p>\n
Flute | Marco LEUNG<\/p>\n
Percussion | Raymond VONG, Lily HOI<\/p>\n
Music Coordinator |\u00a0KC Art Management Limited<\/p>\n
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Artists\u2019 Biography<\/strong><\/p>\n![\"\"](\"http:\/\/www.ccdc.com.hk\/wp-content\/uploads\/2022\/04\/CCDC_Helen-LAI-\u9ece\u6d77\u5be7-_credit-Jefu-Ha-Studio-200x300.jpg\")
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Direction and Choreography: Helen LAI<\/strong><\/p>\nHelen Lai is one of Hong Kong\u2019s foremost choreographers. Her works were featured at Hong Kong City Hall as early as 1977 and 1978. She joined CCDC in 1979, holding the posts of Artistic Director from 1985 to 1989 and Resident Choreographer from 1991 to 2011. Lai has choreographed for many local performance arts companies including Hong Kong Dance Comapny, Hong Kong Repertory Theatre, Hong Kong Ballet, DanceArt and Y-Space as well as for stage, film and television productions. She frequently collaborates with overseas companies, including Cloud Gate Dance Theatre and Crossover Dance Comapny in Taipei; Contempodanza and Ballet Estudio in Mexico City, Guangdong Experimental Modern Dance Company and Singapore Dance Theatre.<\/p>\n
Helen Lai’s major works include Nine Songs, The Rite of Spring, Invisible Cities, Loose Pages from a Woman’s Diary, Revolutionary Pekinese Opera (Millennium Mix), In the Beginning, Plaza X, The Tragedy of Mr O, The Comedy of K, Testimony, HerStory, Tales of Two Cities – Hong Kong \u00b7 Shanghai \u00b7 Eileen Chang, Soledad, The Island Whispers…, While the Dream Unfolds and Winterreise<\/em>. She also worked as director for the chamber opera, Heart of Coral and as director\/choreographer for the tango operita, Mar\u00eda de Buenos Aires<\/em>.<\/p>\nLai has been the recipient of numerous awards. In 1995 she was presented with the Badge of Honour by the Queen of England. In 2000, the Government of the Hong Kong Special Administrative Region awarded her the Medal of Honour. Other awards include Choreographer of the Year from Hong Kong Artists’ Guild (1990) and recognition for her choreographic works at the Hong Kong Dance Awards (1999, 2000, 2001 and 2008), Outstanding Achievement in Choreography (2011) and Outstanding Choreographer (2016, 2017 and 2020). In 2002, Hong Kong Dance Alliance presented Lai with a Distinguished Achievement Award. She received an Award for Arts Achievement (Dance) and Outstanding Contribution in Arts Award from the Hong Kong Arts Development Council in 2003 in 2015, respectively and an Honorary Fellowship and a Doctorate of the Academy honoris causa from The Hong Kong Academy for Performing Arts in July 2004 and in October 2021, respectively.<\/p>\n
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Conductor:<\/strong> Vivian IP<\/strong><\/p>\nHong Kong native Vivian Ip is one of the city\u2019s rising young conductors. Winner of the \u201cBest Conductor\u201d Grammy Award Maestro John Nelson once told her: \u201cConducting is like breathing for you. You are a bright talent!\u201d She has been a guest conductor of Hong Kong Philharmonic Orchestra, Hong Kong Sinfonietta, and Musica Viva Hong Kong among others. She currently teaches Conducting and Practical Studies in Musicianship at The Chinese University of Hong Kong. In 2017, Ip was appointed Music Director of the Xing-er Symphony Orchestra in Guangzhou.<\/p>\n
With an Associate Instructorship and the Sir Edward Youde Memorial Fellowship for Overseas Studies, she received her Master of Music degree in Choral Conducting at Indiana University Bloomington in the US. Ip graduated in Orchestral Conducting at University of Music and Performing Arts Vienna, receiving the highest award that year, under the supervision of Uro\u0161 Lajovic and Johannes Wildner. She attended masterclasses held by maestros Fabio Luisi, Simone Young, Bertrand de Billy and Helmuth Rilling, among others.<\/p>\n
Ip has performed in concert halls around the world. She has worked with Orchestre\u00a0Victor<\/em> Hugo <\/em>Franche-Comt\u00e9 (France), Vienna Chamber Orchestra, the Polish Baltic Philharmonic, Kammerorchester Musica Vitae (Sweden), Nova Gorica International Music Festival Orchestra (Slovenia), and George Enescu Philharmonic Orchestra (Romania) among others. Ip was appointed Assistant Conductor of Hong Kong Philharmonic Orchestra, after which she conducted subscription concerts, community concerts, and assisted its Music Director Jaap van Zweden and principal guest conductor Yu Long, as well as overseas conductors such as Christoph Eschenbach, Charles Dutoit, Vassily Sinaisky and Lawrence Foster. Ip has conducted operas such as Carmen<\/em>, Die Zauberfl\u00f6te<\/em>, Der Fliegende Holl\u00e4nder<\/em> and N<\/em>orma<\/em>, etc.<\/p>\n <\/p>\n
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Female Singer (Mar\u00eda):<\/strong> Carol LIN<\/strong><\/p>\nCarol Lin is one of the leading mezzo-sopranos in Hong Kong. Since 2006, Lin has taken principal roles in opera productions by Hong Kong and international companies, including the title role in Carmen<\/em>, Maddalena (Rigoletto<\/em>), Cherubino (Le Nozze di Figaro<\/em>), Stephano (Romeo et Juliette<\/em>) and Suzuki (Madama Butterfly<\/em>). She has been a featured soloist for many art-song recitals and oratorio concert performances and chamber music performances by organisations such as Boston Philharmonic Orchestra, Hong Kong Philharmonic Orchestra, Hong Kong Sinfonietta, Hong Kong Arts Festival and RTHK Radio 4.<\/p>\nA native of Hong Kong, Lin holds a Bachelor of Music (Honours) from The Hong Kong Academy for Performing Arts and a Master of Music (Vocal Performance and Opera) from New England Conservatory of Music, Boston in the U.S. She was also a vocal fellow of the Aspen Music Festival in 2006 and 2007. In 2013, she won the regional round of the 32nd International Hans Gabor Belvedere Singing Competition. She also won first prize and the Grand Prix at the Fifth Yokohama International Music Competition in Japan and third prize in the Fifth “Giovani Musicisti – Citt\u00e0 di Treviso” International Music Competition in Italy.<\/p>\n
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Male Singer (Cantor): David QUAH<\/strong><\/p>\nWinner of the coveted Marianne Mathy Australian Singing Competition, Malaysian-born David Quah made his professional debut singing Don Ottavio in Mozart\u2019s\u00a0Don Giovanni<\/em>\u00a0with Opera Queensland. He moved to Hong Kong in 2000 and started teaching singing at The Hong Kong Academy for Performing Arts. He regularly performs in South East Asia and is very active in local music scenes.<\/p>\nQuah has premiered many operatic roles both locally and overseas. He has also launched several shows online, including Winterreise on Ice<\/em>, where he performed a selection of lieder from Schubert\u2019s song cycles with an Olympic ice-skater and video projections on ice. His pop-opera, <\/em>When Mozart meets Da Ponte<\/em>, My Beloved \u2013 a Puccini story<\/em>, musicals The Happy Prince<\/em>, The Other Wiseman<\/em> and Esther<\/em> have been well-received.<\/p>\nHe sang the title role of Man in Chan Hing-yan\u2019s chamber opera Ghost Love<\/em> in January 2018, and the roles of The Missionary and President Roosevelt in the British premiere of Chan Hing-yan\u2019s Datong \u2013 The Chinese Utopia <\/em>in July 2017. He appeared in the title role in composer Lo Hau-man\u2019s chamber opera\u00a0The Legend of Zhang Baozai<\/em>,\u00a0which premiered at Shanghai Expo 2010.<\/p>\nQuah is an experienced and popular lecturer and is the Founder and Artistic Director of Bel Canto Singers Foundation. His signature \u201cClassical Moments Series\u201d has staged many acclaimed concerts, bringing beautiful \u201cmoments\u201d to Hong Kong audiences with works running the gamut from baroque to the contemporary, classical to jazz, and Chinese to western.<\/p>\n
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Narrator (Duende): Fernando REZK<\/strong><\/p>\nFernando Rezk was inspired by his grandfather, who was a bandoneonist in the 1940s during the golden age of tango. At the tender age of nine, Rezk was captivated by the music and the instrument. When he was 24, he studied the bandoneon, harmony and composition at The Conservatory of Music of the Argentinian Musicians’ Union.<\/p>\n
In 1998-2001, he played with Daniel Melingo, with whom he recorded Ufa.<\/em> He has taken part at various international tango and jazz festivals, radio and TV programmes in more than 16 countries in South America, Europe and Asia.<\/p>\nFernando has taught students from all over the world in Argentina since the 1990s. He has also performed and taught workshops in Hong Kong since 2010. He took part in the Street Music series at Wan Chai, Hong Kong Tango Festival (2011-2013) and was music director of Festivalito de Tango en Hong Kong (2017-2019).<\/p>\n
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About City Contemporary Dance Company <\/strong><\/p>\nCity Contemporary Dance Company (CCDC), the flagship of modern dance in Hong Kong, undertakes to blaze the path of contemporary dance scene with extraordinary performances representing contemporary Hong Kong culture. Founded by Willy Tsao in 1979 and directed by Yuri Ng, CCDC has presented more than 200 highly-acclaimed original works by leading choreographers and innovative collaborations with artists from other media. City Contemporary Dance Festival pioneer in Asia to reimagine the possibilities of modern dance. It is renowned for translating the vigour and creativity of Hong Kong\u2019s multifaceted culture. Since 1980, the Company has accepted 273 overseas invitations to represent Hong Kong in performance at the world\u2019s foremost dance stages and festivals, it has been called as \u201cThe artistic soul of contemporary Hong Kong\u201d<\/p>\n
<\/p>\n
Media Enquiry<\/strong><\/p>\n\n\n\n| Stephanie Mak<\/span><\/p>\n Marketing and Development Manager<\/span><\/p>\nTel\uff1a3170 9924 \/ 9430 2263<\/span><\/p>\nFax\uff1a2351 4199<\/span><\/p>\nEmail\uff1astephanie@ccdc.com.hk<\/span><\/td>\n | Thalia Wong<\/span><\/p>\n Assistant Project Manager<\/p>\n Tel\uff1a3170 9988 \/ 6279 4928<\/p>\n Fax\uff1a2351 4199<\/p>\n Email\uff1athalia@ccdc.com.hk<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n City Contemporary Dance Company is sponsored by the government of Hong Kong Special Administrative Region. CCDC reserves the right to substitute artists and vary advertised programmes.<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row enable_arrows_animation=”no”][vc_column][vc_empty_space][vc_column_text](Hong Kong, 21st April, 2022) With the gradual relaxation of social distancing measures and the reopening of performance venues, City Contemporary Dance Company (CCDC) presents the Hong Kong premiere of Maria de Buenos Aires, directed and choreographed by internationally renowned choreographer Helen Lai. She joins forces with dance artists and musicians from CCDC and beyond to reveal the cross-genre charm of dance and tango opera. The performance will be staged from 13th to 15th May 2022 at Auditorium, Kwai Tsing Theatre. Tickets are now available at art-mate.net. Under the mysterious aura of Maria de Buenos Aires where the real collides with the imagined, Maria transcends life and death in a story entangled in destruction and redemption, setting in Buenos Aires, Argentina. The Hong Kong premiere line-up brings together internationally esteemed choreographer Helen Lai, young conductor Vivian Ip, multi-award-winning local opera singer Carol Lin, and Bel Canto Singers Artistic Director and opera singer David Quah, along with a live music ensemble and CCDC dance artists. The team is determined to demonstrate the trans-disciplinary allure of dance and music. Argentine composer Astor Piazzolla was acclaimed as the King of Tango. During his lifetime, he was the soul of tango music. Even until today, he is still one of the most celebrated composers internationally. 2022 marks the 30th anniversary of his passing. Director and choreographer Helen Lai would like to take this opportunity to present Piazzolla\u2019s only published tango operita, Maria de Buenos Aires, as a tribute to the musical giant. Maria de Buenos Aires is a collaborative production between CCDC and Taiwan\u2019s Weiwuying. Premiered in Taiwan last year, the production was critically acclaimed by dance critics and audience alike. \u201cThe reason why Maria de Buenos Aires was so wonderful was its perfect integration of music, dance, literature […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_tribe_blocks_recurrence_rules":"","_tribe_blocks_recurrence_exclusions":"","_tribe_blocks_recurrence_description":"","_ecp_custom_2":""},"categories":[161],"tags":[],"jetpack_featured_media_url":"","yoast_head":"\n Tango Opera X Contemporary Dance X Live Music Performance Maria de Buenos Aires Unfurls the New Dance Season with the Charm of Dance and Tango Opera - CCDC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ccdc.com.hk\/en\/2022\/04\/21\/tango-opera_dance_live-music_maria\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tango Opera X Contemporary Dance X Live Music Performance Maria de Buenos Aires Unfurls the New Dance Season with the Charm of Dance and Tango Opera - CCDC\" \/>\n<meta property=\"og:description\" content=\"[vc_row enable_arrows_animation=”no”][vc_column][vc_empty_space][vc_column_text](Hong Kong, 21st April, 2022) With the gradual relaxation of social distancing measures and the reopening of performance venues, City Contemporary Dance Company (CCDC) presents the Hong Kong premiere of Maria de Buenos Aires, directed and choreographed by internationally renowned choreographer Helen Lai. She joins forces with dance artists and musicians from CCDC and beyond to reveal the cross-genre charm of dance and tango opera. The performance will be staged from 13th to 15th May 2022 at Auditorium, Kwai Tsing Theatre. Tickets are now available at art-mate.net. Under the mysterious aura of Maria de Buenos Aires where the real collides with the imagined, Maria transcends life and death in a story entangled in destruction and redemption, setting in Buenos Aires, Argentina. The Hong Kong premiere line-up brings together internationally esteemed choreographer Helen Lai, young conductor Vivian Ip, multi-award-winning local opera singer Carol Lin, and Bel Canto Singers Artistic Director and opera singer David Quah, along with a live music ensemble and CCDC dance artists. The team is determined to demonstrate the trans-disciplinary allure of dance and music. Argentine composer Astor Piazzolla was acclaimed as the King of Tango. During his lifetime, he was the soul of tango music. Even until today, he is still one of the most celebrated composers internationally. 2022 marks the 30th anniversary of his passing. Director and choreographer Helen Lai would like to take this opportunity to present Piazzolla\u2019s only published tango operita, Maria de Buenos Aires, as a tribute to the musical giant. Maria de Buenos Aires is a collaborative production between CCDC and Taiwan\u2019s Weiwuying. 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